Rosencrantz & Guildenstern, Ltd.

Note: I thought I had already written this up and posted it, but apparently I never got around to it.  So, this is now a month out of date as I first saw Alice in Wonderland on opening day.  Oh, well, here it is anyway.

Alice in Wonderland brings together three of my favorite creative people: Lewis Carroll, Tim Burton, and Johnny Depp, so I was understandably excited about this movie.  So much so, in fact, that I went to see it on opening night, which is something I rarely do because of the crowds and smelly teenagers (both of which were in force Friday night).  Until I can see the movie again on DVD, I can’t really write a full review, but here are my quick thoughts on the movie having just seen it last night.

First, the design, music and performances were great.  It is true (but no surprise) that Johnny Depp’s Hatter steals the shows; in fact, that’s generally true of any adaptation of Carroll’s books.  I have been involved in two productions of play adaptations of the books (my wife and I directed one together, and I later directed it on my own), and in each the Tea Party was my favorite scene.  Hatter, with the March Hare and Dormouse, is just such a crazy character that toning it down would, I think, miss the point.  While some people have criticized the amount of screen time Depp gets, I have no problem with it.

Second, I love that this movie recognizes that some of us are big Lewis Carroll nerds.  There are in-jokes throughout that only someone who’s actually read the books (rather than just seeing the film adaptations) would get.  For example, in the opening scenes, Alice has to dance a quadrille with her potential fiance, a nod to the Lobster Quadrille in the books.

Finally, the movie is not entirely even.  I feel like things move a little too quickly once Alice gets to Wonderland; I think there should have been a few more things happening before the Red Queen is introduced.  Also, the whole dance the Mad Hatter does was, to my mind, entirely useless.  Yes, I understand that this sort of nonsense (in the bad way) is meant to appeal to children, but I think it breaks the feeling of the film, especially the modern dance music.  This sort of thing should be put out on some separate DVD that’s used to gouge parents rather than thrust upon us in the theater.

So, overall I enjoyed it very much and will get it on DVD.  I think it works nicely as a modern companion to Carroll’s original works.